we are happy that we have won the competition for the corporate design bauhaus museum weimar.
the communicational concept is all about the materiality and the visual understanding of things that represent the bauhaus. the corporate design focuses on objects and their creators and on other protagonists as well. the viewer is not addressed in an emotional way but still on an easy accessible level of the human perception. images and typography have their own power: the illustrations communicate the handicraft aspect that was highly renowned during the bauhaus era.
starry, starry night
we paint the ceiling blue and grey... our design for the welcome center stuttgart communicates the variety of the region, the city and the different nations of the new citizens.
colour design: www.uebele.com
interior design: www.zieglerbuerg.de
app icon for karin sander
with the »karin sander: multiple choice drawings« app, you can acquire original drawings by karin sander and print them out yourself.
we have designed the app icon.
you can download the app for free via
büro uebele at the architecture biennale venice
»this is modern – deutsche werkbund exhibition venice 2014«
the deutsche werkbund berlin shows on the occasion of its 100th jubilee at the 14th architecture biennial 2014 in venice an exhibition with regard on contemporary architecture and design. 7 german graphic designer and 22 german architects have been asked for a statement. we are happy for our participation. the exhibition takes place in palazzo ca'tron, santa croce 1957, 30135 venice, italy, 8th june –1st august 2014.
football, the round thing, the brazilian … to cut a long story short: we have developed a new corporate design for a manufacturer of furniture fittings based in brazil. we say: fifa hardt!
ado goldkante redesign
how do you give a grand old brand a brand new look, a new presence in the marketplace? or maybe this is the wrong question to ask? is »new« the wrong angle? possibly, because the brand isn’t new – it already exists. so what can it be then? renewed? refreshed? radically renovated? the brand’s new owner wanted none of this. fortunately – because many »rejuvenated« brands merely reveal the cluelessness with which concepts like »fresh«, »new« and »modern« are used and why they are now (paradoxically) so faded and jaded.
for home textiles producer ado we chose a different path. the brand redesign follows objective, technical criteria in a judicious and scrupulous manner. solving formal problem areas was our priority.
herbert hainer, ceo of the adidas ag as well as supervisory board chairman of the fc bayern munich ag, is obviously fond of figures. not only the black, but also colourful ones, as clearly evident on this picture. we will explain them later. for now, together with all parties involved, we are celebrating the opening of the adidas gym we designed the interior and spacial graphics for together with zieglerbürg.
lecture by andreas uebele in esslingen
on 21 january, andreas uebele will give a lecture in esslingen’s lazi-akademie (the european school of film and design) as part of the »xtensions« lecture series.
21 january 2015
exhibition in zurich!
as soon as possible
1st december 2014
4.00 pm lecture by andreas uebele
6.00 pm vernissage
2nd december 2014 – 22nd february 2015
professur karin sander
we are happy to be involved in the current architecture biennale in venice twice: first, we designed a poster for »this is modern – deutsche werkbund exhibition venice 2014« that was shown at palazzo ca' tron in june and august. second, we designed the layout of the contribution that lederer ragnarsdóttir oei architects made for the same exhibition.
»this is modern – deutsche werkbund exhibition venice 2014« is currently on show at the north rhine-westphalian academy of sciences, humanities and the arts in düsseldorf:
and will be shown at the ait salon hamburg from 21. november to 22. december 2014:
vortrag von andreas uebele in stuttgart
vortrag von andreas uebele bei der fachtagung des instituts fortbildung bau der architektenkammer baden württemberg zum jahresthema 2014: »wegweisendes-universal design – orientierungssysteme gestalten«
am 13. november 2014
von 10 bis 17 uhr
im haus der architekten, stuttgart
tag der typografie 2014
lecture by andreas uebele
at the 26th »tag der typografie«
saturday, 15th november
happiness: three red dot awards
red dot for high design quality
a woman and a man. standing calm and still, wearing a knee-length dress and shorts. no specific fashion is discernible. these two figures have fallen out of time. yet they aren’t hermaphrodites – who’ve always missed out when the sexual categories are defined: we can see from the two figures that the man is probably a boy, the woman probably a girl. it’s not just that they’re almost exactly the same height: the female figure’s undeveloped chest, the shorts – which tend to be the preserve of the young – are sympathetic references to the un-sexual. a shared naïveté – or perhaps rather a shared innocence – overlays the stark division of the sexes. the form fulfils its function and reminds us of childhood. the figures aid wayfinding and tell us a tale of rediscovering a lost age.
someone who is looking for the toilet comes to a door. he sees what we might call a humanoid figure. he sees a person. the body descends vertically from broad shoulders, the legs stand parallel with a small gap between them. aha, the viewer says to himself, this is the place for men. yet if the figure has a waist and wears a skirt-like garment it is equally clear – at least in the western world – that we have reached the ladies’ toilet. the fact that this information is understood globally is a tremendous cultural achievement – its importance cannot be overestimated. it is the translation of instructions, place descriptions or complex emotional states into an internationally comprehensible language – basically the invention of an autonomous picture-based language that functions across all national boundaries. together, scientist otto neurath and graphic designer gerd arntz laid the foundations for the international visualisation system we use today, which helps us communicate various important matters quickly and straightforwardly without using writing and words. smileys, emojis and emoticons are another wonderful example of this. here you can see the beauty of gerd arntz’s original drawings: woman, man. smile.
plädoyer für die maßlosigkeit:
mehr ist mehr!
pracht, fülle und ausschweifung!
many designs are for the wastepaper basket. what a pity. but they are a good fertilizer for something new.
cotton candy typeface
oh how beautiful is the fun fair! loud and annoying, confusingly complex and everyone loves cotton candy and roasted almonds. i rather like the typography: awkward, weird and powerful. bubi slush ist ok. would be a funny name for a typeface: bubi slush bold ...
geschlechtsabhängige individualiserung von digitalen geräten.
unsystematische feldforschung an der fachhochschule
düsseldorf, fachbereich design.
bazon brock spricht. wie man wird, der man nicht ist. drei stunden hören. korrektur des autors: nichts klebt. alles fließt. danke.
die gendergerechte ausstattung des büros ist selbstverständlich. alle haben den gleichen stuhl, tisch und arbeitsleuchte. wir benutzen die gleiche toilette und den gleichen drucker. bisher war nur das verhältnis frauen zu männer ungleich. auf wunsch der – mehrheitlich weiblichen – beschäftigten wurde dieses verhältnis nun zu gunsten der männlichen verschoben. seit montag sind zwei neue kollegen im büro, deren anwesenheit eine mitarbeiterin mit glänzenden augen dergestalt kommentierte, dass es nun im büro nach »mann« röche.
endlich diese übersicht. die debatte, was kunst oder design sei, wird einfach. kunst ist, was hasenkamp liefert.
schnell fahren (alain delon und jane fonda im ferrari), schnell arbeiten. interview auf englisch.