New Projects


we are happy that we have won the competition for the corporate design bauhaus museum weimar.  


the communicational concept is all about the materiality and the visual understanding of things that represent the bauhaus. the corporate design focuses on objects and their creators and on other protagonists as well. the viewer is not addressed in an emotional way but still on an easy accessible level of the human perception. images and typography have their own power: the illustrations communicate the handicraft aspect that was highly renowned during the bauhaus era. 

starry, starry night

we paint the ceiling blue and grey... our design for the welcome center stuttgart communicates the variety of the region, the city and the different nations of the new citizens. 


colour design: 

interior design: 


  • karin sander: multiple choice drawings

app icon for karin sander

with the »karin sander: multiple choice drawings« app, you can acquire original drawings by karin sander and print them out yourself.  

we have designed the app icon. 


you can download the app for free via 

büro uebele at the architecture biennale venice

»this is modern – deutsche werkbund exhibition venice 2014« 


the deutsche werkbund berlin shows on the occasion of its 100th jubilee at the 14th architecture biennial 2014 in venice an exhibition with regard on contemporary architecture and design. 7 german graphic designer and 22 german architects have been asked for a statement. we are happy for our participation. the exhibition takes place in palazzo ca'tron, santa croce 1957, 30135 venice, italy, 8th june –1st august 2014. 



werkbund venice, print 

brazil II

football, the round thing, the brazilian … to cut a long story short: we have developed a new corporate design for a manufacturer of furniture fittings based in brazil. we say: fifa hardt! 



hardt, corporate design 


SMILE! our new work für the adidas gym is BETTER and STRONGER and has super POWER. ALL IN! from 

messi via beckham to müller and dwight howard. and now: RELAX, OM BLISS! 



adidas gym, spatial and interior design 



ado goldkante redesign

how do you give a grand old brand a brand new look, a new presence in the marketplace? or maybe this is the wrong question to ask? is »new« the wrong angle? possibly, because the brand isn’t new – it already exists. so what can it be then? renewed? refreshed? radically renovated? the brand’s new owner wanted none of this. fortunately – because many »rejuvenated« brands merely reveal the cluelessness with which concepts like »fresh«, »new« and »modern« are used and why they are now (paradoxically) so faded and jaded. 


for home textiles producer ado we chose a different path. the brand redesign follows objective, technical criteria in a judicious and scrupulous manner. solving formal problem areas was our priority. 



ado, logo redesign 

lederer ragnarsdòttir oei

among each other, side by side, one upon the other. the new website for renowned architectural office lederer ragnarsdòttir oei shows a well organized chaos. 



lederer ragnarsdòttir oei, website 

adidas gym

herbert hainer, ceo of the adidas ag as well as supervisory board chairman of the fc bayern munich ag, is obviously fond of figures. not only the black, but also colourful ones, as clearly evident on this picture. we will explain them later. for now, together with all parties involved, we are celebrating the opening of the adidas gym we designed the interior and spacial graphics for together with zieglerbürg. 


the 10th anniversary issue of »vorn« will be released on march 4th, 2014. it will be edited by joachim baldauf and uta grosenick, with special support from claudia hofmann. and, to our great joy, with a contribution by büro uebele. 



junk font/small caps 



our recent work for adidas is featured in the current issue of german business magazine business punk. 



adidas gym, spacial and interior design 

happiness: three red dot awards

red dot: best of the best for highest design quality 

for adidas gym, spatial and interior design 


red dot: best of the best for highest design quality 

for innsbruck exhibition centre, signage system 


red dot for high design quality 

for vilson hardt, visual identity 

holy shit

our recent work is shown in the new edition of db (deutsche bauzeitung). we designed the facade of the lower saxony motorway toilets and nobody wants to leave his name on the facade anymore. 



pwc, spatial design 

büro uebele goes east

at least in a magazin: the korean design mag bob presents our spatial and interior design for adidas gym. 



adidas gym, spatial and interior design 


our recently completed project for adidas on designboom! 



adidas gym, spatial and interior design 

segd award

after winning more than 300 awards now we got the most beautyful one. at the segd conference in atlanta our signage system and interior design for adidas laces was honoured with a merit award designed by massimo vignelli. 



adidas laces, signage system and interior design 

seoul, korea, design.

corean magazine »design« fetured our signage system for the innsbruck trade fair in their latest issue.  

thank you! 



innsbruck exhibition centre, signage system 

andreas uebele on sketching

in occasion of the lecture by andreas uebele at the the 2014 segd conference, eg-magazine reports on our office. falling out of time is the demand on hand drawing.  


the editors asked for a statement that you can read here: 

andreas uebele – drawing by hand 


you can find the whole issue here: 

andreas uebele in atlanta

andreas uebele will talk at the 2014 segd conference for experiential graphic design, taking place june 5–7 in atlanta. 

andreas uebele at the alanus university

coming thursday, andreas uebele will talk at the alanus university of arts and social sciences in alfter, near bonn. 



keep all 


many designs are for the wastepaper basket. what a pity. but they are a good fertilizer for something new. 


cotton candy typeface 


oh how beautiful is the fun fair! loud and annoying, confusingly complex and everyone loves cotton candy and roasted almonds. i rather like the typography: awkward, weird and powerful. bubi slush ist ok. would be a funny name for a typeface: bubi slush bold ... 




geschlechtsabhängige individualiserung von digitalen geräten. 

unsystematische feldforschung an der fachhochschule 

düsseldorf, fachbereich design. 


bazon brock spricht. wie man wird, der man nicht ist. drei stunden hören. korrektur des autors: nichts klebt. alles fließt. danke. 


die gendergerechte ausstattung des büros ist selbstverständlich. alle haben den gleichen stuhl, tisch und arbeitsleuchte. wir benutzen die gleiche toilette und den gleichen drucker. bisher war nur das verhältnis frauen zu männer ungleich. auf wunsch der – mehrheitlich weiblichen – beschäftigten wurde dieses verhältnis nun zu gunsten der männlichen verschoben. seit montag sind zwei neue kollegen im büro, deren anwesenheit eine mitarbeiterin mit glänzenden augen dergestalt kommentierte, dass es nun im büro nach »mann« röche. 


endlich diese übersicht. die debatte, was kunst oder design sei, wird einfach. kunst ist, was hasenkamp liefert. 


schnell fahren (alain delon und jane fonda im ferrari), schnell arbeiten. interview auf englisch. 


die schöne seite von stuttgart 21 


peter altmaier isst kuchen. 

peter altmaier steht auf, verlässt den raum, während wir unsere arbeit präsentieren. offensichtlich muss er auf die toilette – oder hat die kanzlerin angerufen? nein, nach einiger zeit kommt er zurück mit einem stück kuchen, dessen verzehr er sich mit hingabe widmet. der einverleibung der zuckrigen backware zuzuschauen hat etwas archaisch-faszinierendes. die präsentation ist vorbei, kein krümel mehr auf dem teller. natürlich haben wir den wettbewerb verloren. der kuchen hat gesiegt. 


… »aber das zeigt nur wieder, wie nachlässig allerorten die wichtigsten dinge erledigt werden, und selbst in parlamenten« … samuel pepys, tagebücher, bd VIII, 1667 


die liebevolle fahrbahnmarkierung in der mitte von stuttgart zeigt, dass hinweise zum ruhenden und fließenden verkehr typografisch anspruchsvoll gestaltet werden können.